“I made a promise,” she told the Paris audience of about 30,000 people in her emotional return.
“I made a promise to come back, to be back on stage. And here I am. Singing for you, and singing for me,” she said.
“I am everything I am because you loved me,” she told the crowd.
She also broke down in tears after finishing a song, telling the audience: “I had promised myself not to cry.”
“But I’m so happy to see you all. I missed you.”
They weren’t the only tears of the night, as the star appeared to be overcome with emotion several times.
Dion will be performing in Paris throughout September and October and into the New Year.
The Mirror’s Lucy Needham, external noted that the singer was 50 minutes late to start, and may have needed extra time to “compose herself” for the “emotionally charged return”.
“Eyes-brimming, the veteran singer gave herself little nods of approval after every line, before finally breaking down at the end of the track, seemingly overwhelmed at having made it through.”
After beginning her set in a black gown, she later changed into a trouser suit “to show off some of those signature kooky dance moves,” says Needham, adding that she appeared “to be having the time of her life, gyrating and slapping her thighs with glee”.
The night was a “a tense, tearful, joyous affair probably even more so for the singer than for her loyal audience,” writes The Telegraph’s Neil McCormick, external.
She started out slow, he says. “Her voice sounded fragile and exposed, but at least it was her distinctive voice, not some autotuned approximation.”
“At first, she was clearly struggling to hold herself together,” he continues. “Her vocals wobbled dangerously, as if about to crack or collapse. But she was gaining confidence with every moment back on stage.”
She broke down in tears as the audience roared in approval after the first song, and addressed the crowd in both French and English during the set.
“This was a high-stakes, high-wire return, perhaps the riskiest comeback in the history of showbusiness,” McCormick continues, referring to her health condition.
But he concludes: “I honestly think I prefer this less superhuman Céline. Her voice is still great, but a bit more raw and real, with a rougher tone, less smoothness in the runs and more edge to her whoops and shrieks.”
